Palm Reading

When you work with clay
you learn to enjoy the dirt,
the silt feels like silk curtains
drawn on an autumn day.

You learn to listen to the skin,
hear all the whispers spoken,
and whisper back tender questions,
that teach of the two of you together.

When you work with clay,
you explore abstract places,
pursuing adventures of vulnerability,
to discover (not exactly create) truth.

You learn that truth, alone, is nothing,
without you to define and assess it.
You make yourselves a part of that truth,
and what you sculpt together is your truth reforged.

When you can no longer work the clay,
you instead knead the aches and pains,
worn, cracked hands rather than a bust or vase,
but a landscape of passion all the same;

where peaks and valleys boast of conquest,
scars and coloration sing of compassion;
nowhere is the silence of smooth skin.
With clay my hands have been broken in.

Me

I am
     soapstone
     unbroken
     form beneath form

I am not
     marble
     hard work and precision
     thousands of patient chisels

To be sculpted
     is an easy thing
           with only a little love
               and subtle effort

     but to be broken is much easier
          achieved with the slightest carelessness
               and an unyielding intent