Something has changed the sounds out here. They phase out and then reappear like vagabonds in the frontier.
Breath itself, a labored chore an anchor pulled across the sea floor not wanting to move anymore though unable to interfere
Wayward eyes will find no relief lost amongst the constant mischief the world apt to abuse belief real and absurd defined ‘unclear.’
The smell of the place reaches deep like a fog over the throat that creeps finding fetid remains to reap the scent of one’s end always near.
You can feel the hostility hidden like electricity, tangible curiosity, tamed only when engineered
Senses reel back from the attack all becoming abstracts or black flesh hacked away by well-aimed flack the mind, a shattered chandelier.
Darkness then takes you by the hand drags you out before that big band desperate teeth pushing words through wasteland “There is nothing for us to fear!”
a man to match, two husbands for mother and me, two pennies shined and spent, irrelevancy captured in pastiche be not my father, fleeting, fugacious, a filament of generational morals or rather something less gracious. I burn for my sins, sitting on your pyre was my death cathartic enough, my child? did you really have to call me a liar? I cried for my matrimony, nineteen and a child already lost, supposed residual bonding upon this acrimony can you tell me, what couldn’t I see?
Beneath those hands that were once so quick to strike you hide eyes that shed tears in the light but remain quietly dry in the darkness. the audience, with that sad soliloquy, is sedated but I remain a victim resigned backstage a witness to all this from an angle much less complicated. as supporting cast, I played my part, myself reduced so you could be elevated though you “died” you lived on in my heart for the life you were to me was all I had known until finally those curtains began to close and I recognized that I was grown. How could you see, from up high on that stage, anything that you didn’t want to be shown?
Standing against the crowd like river rocks gears whirring in a clock with hands outstretched, static against motion, his eyes are loud against deafening stock herding towards boxes and locks that pay well sapping their emotions.
The boy is alone swallowed by the swarm a cold drop in warm water unnoticed soon enough devoured falling to the ground prone, beneath the storm trying to conform, become safe like stone. I left him there cowered.
I left part of me there as well both of us settling into hell.
A pool of water on the floor reflecting fractured porcelain I had not ever seen before. Footsteps like tears lead out the door taking with them my oxygen.
Who is it that has found this place my sad forest of broken things? Who takes lazy steps with such grace? Do they know what the night will bring that bleak and haunted carapace?
Surely, they know not of those ghosts, or they would not ever have come, I think and follow their breadcrumbs. I still have a duty as host to shake hands and bid them welcome.
Oh! If only it were that plain, to find things in this place again! The cracks and crevices have grown far beyond what I can explain None of it is yet set in stone.
The walls will move from here to there when they think you are unaware. The floor will find stairs if it please and remove them with the same ease always some laughter in the air.
I saw your hand reach out from behind the cloth a fragile thing beguiled by shadow and pomp though your face flush the hand was molded plaster disembodied as if it had no master but you it served, of this I can be certain; the gift it held brought from behind those curtains I gave to you all those many years ago. Why now return that whittled ivory rhino?
I loved you then that I am sure of my dear. So romantic but with you, it was austere. In such patience my dreams slipped from reality contradicting your love for hyperbole. I filled myself with the visions of your rhino grandiose, yes amongst my humble fallow. Your confusion Lends all hands towards your grief. I must tell you It is time for me to leave.
The pilot light defies the dark a flickering of potential this is every Tuesday now.
What was at one time once a month then every few weeks has become common place somehow
Though the basement is an abandoned place left to the wires, pipes and tubes of all the hidden movements in the house this quiet void is the most ambitious.