Cold walls make emptiness hollow a word becomes a paragraph but the silence is often worse; that soft, sobered condemnation.
It grows on you like wilted vines masking mortar and stoic stones with a web that pulls at the bones and antagonizes the spine into emergency room lines. ‘Twas silence that broke Apollo and surely I too will follow beneath all this desolation with my own frigid narration; cold walls make emptiness hollow
but they fit the mood of the thing. So I sit, intensely alone processing all that I was shown wearing tragedy like a ring; the whole of my mind in a sling thoughts circled like an epitaph rubbed raw in stone on my behalf. ‘Ouroboros,’ the term scoured when spoken at the right hour a word becomes a paragraph.
Poisonous prose sinking inside deep within the ardent soil that place where thoughts oft wont to roil and become greater than they should louder than the self ever could spitting out erratic free verse without pause or time to rehearse and asking, “repeat after me,” so you spew disheveled debris… but the silence is often worse.
A void mirrored is oppressive a wave that splits the earth and sky sent upon us to purify turning the peaceful aggressive the charitable, possessive. Nothing is more than stagnation. It’s more than obliteration. It is the ego sacrificed sold out for a zero-sum price that soft, sobered condemnation.
There between the stars are lights from afar stars themselves blackened by distance dulled by time and lost to naivety.
A certain level of corruption foreshadows their revelation some darkness within siphoned from the void without to leave these distant galaxies gasping for air with us greedily grasping at their corpses and calling it power.
The audacity.
A corpse can’t smell a corpse through its fetid remains.
The air conditioner sounds are raging orchestrated Freon and mechanics but the notes fall on deaf ears, just staging to support a troupe of thoughts in panic but their choreography is manic. All the actors have forgotten their lines they walk the stage like a field of land mines switchblade feet stabbing at the wooden planks too focused to recognize the call signs catching angry vegetables with a “thanks”
[The pylon switches hands, and is risen high upon the transition, I feel that there are eyes upon me, and there are many. Voices amongst the crowd whisper awed phrases and sounds of mirth, save one. Shouting I hear, ‘shoot; shoot him now!’, and I feel the tears of all those I loved enter inside me…]
When her eyes light up like fire it warms me to the core to see her mind contract and expand embracing all that’s in store.
To find and explore new thoughts that she wants to understand to give more than she ever got with an energy that will never tire.
If you ever met her before she’s likely left you inspired with her offer of a helping hand- a trait I’ve always admired.
She’ll feed you the food off her plate and give you advice to contemplate she retains all the lessons she was taught and is the first to suit up as your mascot
A master of wit and satire because laughter is one of her few desires I couldn’t ask for anything more the person she is I truly adore.
What fortune to live a life with her in it! That brilliant, brave and beautiful misfit.